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So if something was disappointing, then you try to figure out what didn’t work about it, what did I miss on it and you use that as a positive to do better the next turn around. But I don’t let disappointments bring me down, it’s a part of the journey and a part of the lessons you learn. Maybe certain songs didn’t go as high as I wanted them to or sell as many as I wanted to. It’s kind of how I look at disappointment. In your career, what has brought you the biggest disappointment? No matter what, somebody somewhere is always going to want to hear a love song. And love always seem to survive any kind of trend. Love is a universal subject, so it’s always a safer route to go down. I don’t know that I know what the secret is other than trying to always write things that are honest and hopefully touch an emotion in people.
#BABYFACE SONGS I GOT 10 FOR YOU FULL#
You’ve been in the game for over 30 years, in an industry full of one hit wonders and projects that never see the light of day. Yeah, I was pretty heart broken and I blamed it on my mom and I ran away from home. In eighth grade, I ran away from home for love. You sing and write a lot about love, what’s the craziest thing you’ve ever done for love?
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And actually we’ve been in talks about doing another duets record together. Long story short, I called her and said let’s do something together and we had nice success with it-won a Grammy. Toni was thinking about retiring and not doing music anymore. How did your duet album, Love, Marriage & Divorce, with Toni Braxton come about? I’ll hear things I haven’t heard that I wrote in a long time and I’ll go, “Wow, that’s a really nice record!” If I turn on the radio and hear something after a long time, it’s nice in that way. As it relates to writing for other folks it varies, it depends on what I’m listening to at the time. I’m still trying to write that favorite song for myself, I guess. For the most part I kind of just make the move to sit in the studio and start brainstorming ideas.ĭo you have a favorite song of yours you’ve performed or written for others? It varies, but sometimes I’ll get up early in the morning and write or I’ll have an idea that I’ll hum down then put it to the side then one day get to it. Well you know, if it feels good to you than it’ll feel good to people as well, that you’ve touched someone with it and that’s all you could ever hope for. And you go on.ĭo you still cross your fingers after you release material after a three decade career? I don’t think it felt any different because whenever I’d do any kind of record whether for me or for someone else it’s one of those things you work on it, put the music out and cross your fingers that it works for people. Kenny “Babyface” Edmonds: It was business as usual, I guess. The Source: What was it like releasing a solo project after a seven year hiatus?
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The Source caught up with the crooner, just before his string of Valentine’s Day weekend of Midwest concerts, as he dished on his music new and old, Toni Braxton‘s Lifetime biopic, his biggest regret in the music industry and more. How he flirts with textures, word-play and fluidity, conscious of what the R&B lovers truly desire, Babyface is R&B, personified. Artistry refined, the 56-year-old discovered the formula to vocal satisfaction decades ago, an uneasy feat. The bar has been set, excruciatingly high.
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Releasing his 10th solo studio album last December, Return of the Tender Lover, a long-awaited sequel to his 1989 album, Tender Lover, the Indianapolis native stays true to form, sans trends, pumping out tracks that satisfies emotions, stroking R&B lovers delight.ĭespite 11 Grammy Awards and a legion of other musical nods, the cucumber cool producer admits he still doesn’t exactly know the key to longevity: “I don’t know that I know what the secret is other than trying to always write things that are honest and hopefully touch an emotion in people.”Įlegant. A time before social media reigned, followers and “Likes” were a validating mark of approval and iTunes was a millennial idea, Babyface made his mark on music as a whole, staying afloat with minimal tabloid drama and headlines.